Frontier
In Heuretics: The Logic of Invention, Professor Ulmer, quoting Martin Green, explains that the concept of frontiers are “‘partially ignored’” places existing outside the “‘center where [a society’s] laws are promulgated and revered, . . . but where the law-making power fights life-or-death battles’” [Green, 1991:36]” (32). The frontier, as an analogy for electracy, therefore, is a place that operates in a different social space:
The electronic apparatus, however, is introducing, at every level of individual and institutional behavior, a decentered structuration in which maps designed in terms of centers and peripheries, of frontiers and adventure, no longer correspond to the territory. Choral work, that is, puts the ‘adventure of knowledge,’ under erasure, which is to say that it is only a prelusive, a mere beginning, a proposal, an experiment.
The strategy of chorography for deconstructing the frontier metaphor of research is to consider this 'place' and its 'genre' in rhetorical terms—as a topos” (Ulmer 33).
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